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England and Wales Court of Appeal (Civil Division) Decisions


You are here: BAILII >> Databases >> England and Wales Court of Appeal (Civil Division) Decisions >> Procter & Gamble Company v Reckitt Benckiser (UK) Ltd [2007] EWCA Civ 936 (10 October 2007)
URL: http://www.bailii.org/ew/cases/EWCA/Civ/2007/936.html
Cite as: [2008] FSR 8, [2008] ECDR 3, [2008] Bus LR 801, [2007] EWCA Civ 936

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Neutral Citation Number: [2007] EWCA Civ 936
Case No: A3/2007/0072

IN THE SUPREME COURT OF JUDICATURE
COURT OF APPEAL (CIVIL DIVISION)
ON APPEAL FROM THE HIGH COURT OF JUSTICE
CHANCERY DIVISION (INTELLECTUAL PROPERTY)
The Hon Mr Justice Lewison
HC 06 C00362

Royal Courts of Justice
Strand, London, WC2A 2LL
10/10/2007

B e f o r e :

THE RT HON LORD JUSTICE MAY
THE RT HON LORD JUSTICE DYSON
and
THE RT HON LORD JUSTICE JACOB

____________________

Between:
The Procter & Gamble Company
Respondent
Claimant
- and -

Reckitt Benckiser (UK) Limited
Appellant
Defendant

____________________

Roger Wyand QC and Dominic Hughes (instructed by Howrey LLP)
for the Respondent/Claimant
Henry Carr QC (instructed by Bird & Bird) for the Appellant/Defendant
Hearing dates : 25/26 July 2007

____________________

HTML VERSION OF JUDGMENT
____________________

Crown Copyright ©

    Lord Justice Jacob:

  1. This is an appeal from a judgment of Lewison J, [2006] EWHC 3154 (Ch). He held P&G's registered community design ("RCD") No, 000097969-0001 valid and infringed. The indication of the products to which the design is intended to be applied is "sprayers". P&G use it in a number of countries (but not yet here) for an air freshener product called Febreze. The Reckitt spray canister held to infringe is for their Air-Wick room air conditioner.
  2. Mr Henry Carr QC argued for Reckitt and Mr Roger Wyand QC for P&G.
  3. Evidence in Registered Design Cases

  4. The most important things in a case about registered designs are:
  5. i) The registered design;

    ii) The accused object;

    iii) The prior art.

    And the most important thing about each of these is what they look like. Of course parties and judges have to try to put into words why they say a design has "individual character" or what the "overall impression produced on an informed user" is. But "it takes longer to say than to see" as I observed in Philips v Remington [1998] RPC 283 at 318. And words themselves are often insufficiently precise on their own.

  6. It follows that a place for evidence is very limited indeed. By and large it should be possible to decide a registered design case in a few hours. The evidence of the designer, e.g. as to whether he/she was trying to make, or thought he/she had made, a breakthrough, is irrelevant. The evidence of experts, particularly about consumer products, is unlikely to be of much assistance: anyone can point out similarities and differences, though an educated eye can sometimes help a bit. Sometimes there may be a piece of technical evidence which is relevant – e.g. that design freedom is limited by certain constraints. But even so, that is usually more or less self-evident and certainly unlikely to be controversial to the point of a need for cross-examination still less substantial cross-examination.
  7. In Thermos v Aladdin [2000] FSR 402 at 404 I said:
  8. Most registered designs are for consumer articles, objects bought or to be appreciated by ordinary members of the public. I observed in Isaac Oren v. Red Box Toy Factory Ltd [1999] FSR 785, at 791, that:

    I do not think, generally speaking that, 'expert' evidence of this opinion sort, (i.e. as to what an ordinary consumer would see) in cases involving registered designs for consumer products is ever likely to be useful. There is a feeling amongst lawyers that one must always have an expert, but this is not so. No-one should feel that their case might be disadvantaged by not having an expert in an area when expert evidence is unnecessary. Evidence of technical or factual matters, as opposed to consumer 'eye appeal' may, on the other hand, sometimes have a part to play--that would be to give the court information or understanding which it could not provide itself.
    This case was started before the new Civil Procedure Rules came into effect. Leave was given to each side to call expert evidence by an order of April 15, 1999. The spirit and effect of the new Rules require the court to look even more closely at the need for expert evidence. In future in registered design actions, I think the court should take care before allowing any expert evidence. In particular, the court should know precisely to what areas that expert evidence will be directed. If blanket permission is given, each side feels compelled to get an expert who then has to say something. What is then said has to be read by the other side. Thereby time and cost to no particular use is expended.

    It was suggested to me that an expert might be able to assist the court about technical matters in this case, such as the fact that the I-beam type of construction used in the handles of the flasks has a function. But this is so obvious that one hardly needs an expert, and certainly one does not need two experts. The expert evidence in this case was completely redundant.
    As to factual evidence, again it is clear that there is a temptation, bordering on the compelling, to overdo things. Much the most important matters in a registered design action are what the various designs look like. Everything else is secondary. It is, for instance, clear law that whether or not the defendant copied is irrelevant; see, for example, per Aldous J. in Gaskell & Chambers Ltd v. Measure Master Ltd [1993] R.P.C. 76, 81. So it is irrelevant for the claimants' witness to throw down a challenge that he thought the defendant copied, as was done here, and it is equally irrelevant for the defendant to prove or to give disclosure about how his design was arrived at.
    Similarly, it is irrelevant for the claimant to prove, if it be the case, that he spent a fortune in arriving at his design. It matters not whether he thought of it in the bath or by engaging the most prestigious design consultants in the world.
    One area of evidence which I think is admissible, and is of some secondary assistance, is the reaction of the public and trade (who expect to sell to the public) to the design.
  9. Thermos was decided in relation to the then UK domestic law of registered designs. This case is the first to reach this Court concerning a
    Community Design Registration ("CDR") granted pursuant to Council Regulation EC 6/2002 ("the Regulation"). But everything I said then applies also to actions about CDRs too.
  10. It follows that the design history of the P&G design, and whether Reckitt copied (which was hinted at darkly by Mr Wyand) was irrelevant. Of more relevance (though even this is secondary) is the fact that the P&G design (in the form of its physical embodiment) received some independent accolade. The Judge records this at:
  11. [10] The Febreze product was well-received within the packaging community. At the end of 2004 it won the New Jersey Packaging Executives Package of the Year Award. In 2005 it won the Ameristar Award within the category of household products. The citation for the latter award said:"
    "Febreze Air Effects is packaged in a uniquely shaped aerosol can that breaks category norms, stands out on the shelf, is easy to use and delivers a superb scent experience for consumers. Febreze redefines the difference a great product and a unique package can make in a customized container and actuator.
  12. The only other evidence of relevance in this case was some technical evidence about design freedom and purpose. I will come to it in due course but at this stage merely record that it was of minor significance, was largely self-evident and certainly not worth actual witnesses and cross-examination.
  13. The Legislation: Regulation EC 6/2002

  14. The Judge helpfully sets all that is material out, and I gratefully borrow it as Appendix 1.
  15. The Registered Design (000097969-0001)

  16. There are six representations shown:
  17. Picture 1

    Picture 2
    Picture 3
  18. The category of product is described as "sprayers." I have reproduced all 6 pictures. The Judge left out the top and bottom views. Rightly everyone ignored these as having any real significance. I reproduce them only so that readers can see that for themselves.
  19. We also had physical embodiments of the design, both in plain white and in their actual Febreze get-up. It has long been the practice, where there is a physical embodiment of a registered design, for the court to look at that. Of course one has to be very careful that the physical object is a true reproduction of the design. In the present case it was accepted that that was so, subject to some minor variation so trivial as to be hardly discoverable even on a close comparison between the registered design and the Febreze sprayer.
  20. The Accused Design

  21. The Judge reproduced pictures of this at [19]:
  22. Picture 4
  23. Unlike the registered design (which has a slightly tapered top to the can which blends with the top) this has a top which fits on a standard cylindrical canister. The Judge also reproduced as an Appendix pictures of the accused product viewed from the same position as each of the design representations. I reproduce his appendix as Appendix 2. There was some criticism that this did not give a fair comparison because of the manner of lighting. I do not go into this. The reader will be assisted by better photographs of the actual product which were supplied to us and which I reproduce as Appendix 3.
  24. The Informed User

  25. By Art. 10.1 "the scope of the protection conferred by a Community design shall include any design which does not produce on the informed user a different overall impression."
  26. The Regulation does not tell us much about the notional "informed user." He/she is clearly not quite the same sort of person as the "person skilled in the art" of patent law. The equivalent to that person in the field of design would be some sort of average designer, not a user. Recital 14 assists a bit. It says:
  27. (14) The assessment as to whether a design has individual character should be based on whether the overall impression produced on an informed user viewing the design clearly differs from that produced on him by the existing design corpus, taking into consideration the nature of the product to which the design is applied or in which it is incorporated, and in particular the industrial sector to which it belongs and the degree of freedom of the designer in developing the design.
  28. The recital is actually framed around the requirement for registrability – whether the design has "individual character" – rather than the test for infringement. Curiously the reference to the "existing design corpus, taking into consideration the nature of the product to which the design is applied" is not expressly carried over into the text of any of the actual Articles of the Regulation. But self-evidently it is relevant to their interpretation. What it tells us is that for the purposes of registrability the notional informed user is to be taken as aware of other similar designs which form part of the "design corpus". Further, the "overall impression" to the "informed user" is also a key ingredient of the infringement test. So for that test too the notional informed user must be taken to be aware of the "existing design corpus."
  29. The recital uses another phrase not carried over into the Articles – "clearly differs". Only if the "overall impression" "clearly differs" from that of the "existing design corpus" will the design have an "individual character." Plainly that is relevant for registrability, even if Art. 6.1 does not expressly use "clearly differs". Does the phrase also apply to the infringement test? Does an accused design escape infringement only if its overall impression "clearly differs" from the registered design? All Art. 10.1 says is "different overall impression". Does that really mean "clearly different" – the word "clearly" requiring much blue water between the accused and registered design for non-infringement?
  30. The Judge thought it did (see [57]). But I do not. Different policies are involved. It is one thing to restrict the grant of a monopoly right to designs which are shown "clearly" to differ from the existing design corpus. That makes sense – you need clear blue water between the registered design and the "prior art", otherwise there is a real risk that design monopolies will or may interfere with routine, ordinary, minor, every-day design modifications – what patent lawyers call "mere workshop modifications." But no such policy applies to the scope of protection. It is sufficient to avoid infringement if the accused product is of a design which produces a "different overall impression." There is no policy requirement that the difference be "clear." If a design differs, that is enough – an informed user can discriminate.
  31. Actually the Judge did not expressly, in his detailed consideration of infringement, import any requirement of "clearly differ". It probably, however, underlay some of his reasoning.
  32. I move on to mention another point. The right conferred applies to any sort of product even though the registration contains an indication of the type of article for which it is intended, see Art. 36(2). Where the alleged infringement is a quite different sort of product from that indicated as being the intended type, there may be problems about identifying the attributes of the informed user – is he a user of the kind of article such as the alleged infringement or a user of the kind of intended article? Or both? But none of that applies here.
  33. Here the "design corpus" of which the informed user is taken be aware are other sprayers generally known – not just sprayers for air fresheners or even those of the kind purchased by ordinary consumers. There was no dispute about this.
  34. The "informed user" test makes sense: a user who has experience of other similar articles will be reasonably discriminatory – able to appreciate enough detail to decide whether a design creates an overall impression which has individual character and whether an alleged infringement produces a different overall impression.
  35. It follows that the informed user is not the same as the "average consumer" of trade mark law. The ECJ describes the attributes of this notional figure in Lloyd Schuhfabrik Meyer v Klijsen Handel, Case C-342/97 [1999] ECR I-3819:
  36. [25] … the perception of marks in the mind of the average consumer of the category of goods or services in question plays a decisive role in the global appreciation of the likelihood of confusion. The average consumer normally perceives a mark as a whole and does not proceed to analyse its various details (see, to that effect, SABEL, paragraph 23).
    [6] For the purposes of that global appreciation, the average consumer of the category of products concerned is deemed to be reasonably well-informed and reasonably observant and circumspect (see, to that effect, Case C-210/96 Gut Springenheide and Tusky [1998] ECR I-4657, paragraph 31). However, account should be taken of the fact that the average consumer only rarely has the chance to make a direct comparison between the different marks but must place his trust in the imperfect picture of them that he has kept in his mind. It should also be borne in mind that the average consumer's level of attention is likely to vary according to the category of goods or services in question.
  37. The informed user of design law is more discriminating. Whilst I do not say that imperfect recollection has no part to play in judging what the overall impression of design is, it cannot be decisive. The Judge placed more emphasis than I think is right on an "imperfect recollection" test or something like it. He accepted Mr Wyand's submission that "the overall impression of a design is what sticks in the mind after [my emphasis] it has been carefully viewed" [57]. I would say that what matters is what strikes the mind of the informed user when it is carefully viewed.
  38. I think the Higher Provisional Court in Vienna, in holding that P&G's design is not infringed by the Air-Wick product (decision of 6th December 2006, overruling a lower court decision granting an interim injunction) was right when it said:
  39. "The "informed user" will, in the view of the Appeals Court, have more extensive knowledge than an "average consumer in possession of average information, awareness and understanding" (see 4 Ob 239/04g), in particular he will be open to design issues and will be fairly familiar with them (Bulling/Langφhrig/Hellwig, Gemeinschaftsgeschmackmuster [Community designs], Rz 56).
  40. Policy considerations point the same way. The main point of protection of a trade mark is to prevent consumer confusion or deception. The possibility of imperfect recollection plays a significant part in that. The point of protecting a design is to protect that design as a design. So what matters is the overall impression created by it: will the user buy it, consider it or appreciate it for its individual design? That involves the user looking at the article, not half-remembering it. The motivation is different from purchasing or otherwise relying on a trade mark as a guarantee of origin.
  41. So the informed user is alert to design issues and is better informed than the average consumer in trade mark law. Things which may infringe a registered trade mark may not infringe a corresponding registered design. I cannot think of any instance where the reverse might be so.
  42. Another thing is also clear. Where shapes are, to some extent, required to be the way they are by reason of function, the informed user is taken to know that. That is what Art 6(2), (for validity) and Art. 10(2) (for scope of protection) require. Take an aspect of this case. Both products have a trigger and something of a "pistol grip". There is some constraint on design freedom for this – the product must be grippable so that the index finger can pull the trigger, the trigger must be shaped to fit the finger and have sufficient space behind it for it to be pulled. That is a given. The informed user must take those requirements into account when assessing overall impression.
  43. Thus Art. 10(2) is a narrowing provision. Smaller differences will be enough to create a different overall impression where freedom of design is limited.
  44. In this connection I have no doubt that the "freedom of the designer" referred to is not that of a particular party – it is the degree of choice a designer would have in creating his design, not particular constraints on a particular party. The Judge so held at [43]. Mr Carr did not challenge that, and rightly so.
  45. The Judge considered the nature of the informed user at [30-41]. He considered a formulation by HHJ Fysh in Woodhouse v Architectural Lighting [2006] RPC 1 and several decisions of the invalidity division of OHIM. I set the passages out for convenience here, though in the end I do not think they are saying anything different from the Austrian Court or what I have concluded above:
  46. Judge Fysh in Woodhouse:

    "First, this notional person must obviously be a user of articles of the sort which is subject of the registered design--and I would think, a regular user at that. He could thus be a consumer or buyer or be otherwise familiar with the subject matter say, through use at work. The quality smacks of practical considerations. In my view the informed user is first, a person to whom the design is directed. Evidently he is not a manufacturer of the articles and both counsel roundly rejected the candidature of "the man in the street". " Informed" to my mind adds a notion of familiarity with the relevant rather more than what one might expect of the average consumer; it imports the notion of "what's about in the market?" and "what has been about in the recent past?". I do not think it requires an archival mind (or eye) or more than an average memory but it does I think demand some awareness of product trend and availability and some knowledge of basic technical considerations (if any). In connection with the latter, one must not forget that we are in the territory of designs and thus what matters most is the appearance of things; as Mr Davis reminded me, these are not petty patents. Therefore, focus on eye appeal seems more pertinent than familiarity with the underlying operational or manufacturing technology (if any).

    Eredu v Arrmet (OHIM ref: ICD000000024; 27 April 2004, a bar stool)

    (16) The degree of freedom of a designer is limited by the fact that stools of the type to which the CD relates necessarily comprise a base, a central column and a seat in order that the stool fulfils its function.
    (17) The informed user is familiar with the basic features of stools. When assessing the overall impression of the design he/she takes into consideration the limitations to the freedom of the designer and weighs the various features consequently. He/she will pay more attention to similarities of non necessary features and dissimilarities of necessary ones.
    (18) In particular, the informed user is aware of the prior art known in the normal course of business to the circles specialised in the sector concerned. Therefore, he knows that that type of stool usually has a foot rest and a back."

    Sunstar Suisse SA v Dentaid SL (OHIM Ref: ICD 000000420; 20 June 2005, an interdental brush):

    "(18) The informed user is also familiar with the basic characteristics of interdental brushes. Specifically, he will be familiar with all designs that are known in the normal course of business in specialist circles in the sector in question. He will know that brushes of this type have a specific form on account of the function they are to fulfil, this form's configuration being determined by two elements (a head with the wire, plus a handle). There are various basic forms that may be used to configure the appearance of the brush. One of these is the 'L' form."

    Built NV Inc v I-Feng Kao (OHIM ref: ICD 0000002103; 3 May 2006, a bottle carrier):

    "(16) The informed user is familiar with bottle bags and other similar bottle carriers of the type to which the CD relates. In particular, he is aware that such devices have the function of holding the bottles and enabling their carriage and therefore must have a compartment for the bottles and at least one handle to carry them in the hand. When assessing the individual character of the CD the degree of freedom of the designer in developing his design for the bottle bags must be taken into consideration. In the present case, this degree of freedom is limited to the functional requirements of the product. Because the bottle bag has to fit the bottles, its body has to follow the generally cylindrical shape of the bottles. Regarding the handle, the designer has a broader degree of freedom in designing it in relation to the bottle bag body."

    i) Honda Motor Co Ltd v Kwang Yang Motor Co Ltd (OHIM Ref: ICD 000001006; 30 August 2006, an internal combustion engine, intended principally for lawnmowers):

    (25) The informed user is familiar with internal-combustion engines of the type to which the RCD relates. In particular, he is aware that such devices have the function of powering the tools on which they are installed and upon which they have to fit, so there are certain elements which are obligatorily present and disposed in a certain way in an internal combustion engine. Among them, as the Holder rightfully observes, the muffler, the air filter, the vent and the fuel tank have all to be positioned on the upper side for functionality reasons and since the overall impression of the engine will be mainly given by the appearance of its upper part, as this will remain visible during the normal use of this internal combustion engine, when assessing the individual character of the RCD it has to be taken into account that the degree of freedom of the designer is limited in so far as the internal combustion engines has to fulfil its function.

    The "different overall impression" test

  47. Once one has identified the notional "informed user" correctly and what he would know about the design corpus, one asks whether the accused product produces "a different overall impression" to such a person?
  48. This test is inherently rather imprecise: an article may reasonably seem to one man to create "a different overall impression" and yet to another to do so. It is always so with the scope of rights in a visual work. You need to cover not only exact imitations, but also things which come "too close". Whatever words you choose, you are bound to leave a considerable margin for the judgment of the tribunal. Thus in copyright the test for infringement is doing a forbidden act "in relation to the work as a whole or any substantial part of it" (s.16.(3) of the Copyright Designs and Patents Act 1988) and for infringement of a UK registered design the test used to be doing a forbidden act in respect of "an article ,,, to which [the registered design] or a design not substantially different from it has been applied." The test of "substantiality" leaves just the same sort of margin as the "overall impression" test. Whether it is the same test or not I leave for others to consider.
  49. Having said that, however, there are some general observations that can be made:
  50. i) For the reasons I have given above, the test is "different" not "clearly different."

    ii) The notional informed user is "fairly familiar" with design issues, as discussed above.

    iii) Next is not a proposition of law but a statement about the way people (and thus the notional informed user) perceive things. It is simply that if a new design is markedly different from anything that has gone before, it is likely to have a greater overall visual impact than if it is "surrounded by kindred prior art." (HHJ Fysh's pithy phrase in Woodhouse at [58]). It follows that the "overall impression" created by such a design will be more significant and the room for differences which do not create a substantially different overall impression is greater. So protection for a striking novel product will be correspondingly greater than for a product which is incrementally different from the prior art, though different enough to have its own individual character and thus be validly registered.

    iv) On the other hand it does not follow, in a case of markedly new design (or indeed any design) that it is sufficient to ask "is the alleged infringement closer to the registered design or to the prior art", if the former infringement, if the latter not. The tests remains "is the overall impression different?"

    v) It is legitimate to compare the registered design and the alleged infringement with a reasonable degree of care. The court must "don the spectacles of the informed user" to adapt the hackneyed but convenient metaphor of patent law. The possibility of imperfect recollection has a limited part to play in this exercise.

    vi) The court must identify the "overall impression" of the registered design with care. True it is that it is difficult to put into language, and it is helpful to use pictures as part of the identification, but the exercise must be done.

    vii) In this exercise the level of generality to which the court must descend is important. Here, for instance, it would be too general to say that the overall impression of the registered design is "a canister fitted with a trigger spray device on the top." The appropriate level of generality is that which would be taken by the notional informed user.

    viii) The court should then do the same exercise for the alleged infringement.

    ix) Finally the court should ask whether the overall impression of each is different. This is almost the equivalent to asking whether they are the same – the difference is nuanced, probably, involving a question of onus and no more.

    Principles to be applied by the Court of Appeal

  51. There was no dispute as to these. It must be shown that the Judge has gone wrong in principle, see, e.g. Designers Guild v Russell Williams [2001] FSR 113 where Lord Hoffmann said, speaking of the closely analogous question of substantiality in relation to copyright infringement:
  52. "because the decision involves the application of a not altogether precise legal standard to a combination of features of varying importance, I think that this falls within the class of case in which an appellate court should not reverse a judge's decision unless he has erred in principle."

    See also Assicurazioni v Arab Insurance [2003] 1 WLR 577.

    The outline of the argument as to an error of principle

  53. Mr Carr contends that the Judge did go wrong in principle: that he did so in the following way. He first correctly identified the overall impression of the P&G design. He also at some points identified the overall impression of the Air Wick product. But in the end he failed to compare the overall impression of the P&G design as he had found it to be, with the overall impression of the Air Wick product.
  54. The Judge having made that error, Mr Carr submits that we should form our own overall impression of the design and the accused sprayer and that we should conclude that the impressions are different.
  55. Putting it another way, Mr Carr submits that on a proper analysis the Judge actually found that the overall impression of each was different and he ought to have concluded that there was no infringement.
  56. Before going on to consider this argument in detail, I should record that Mr Carr, under a little pressure from the Court, abandoned his point about decoration, rejected by the Judge at [71-73]. He was right to do so. The registration is evidently for a shape. The proper comparison is with the shape of the alleged infringement. Graphics on that (or on the physical embodiment of the design) are irrelevant.
  57. The Detailed Argument

  58. The Judge first described the design thus:
  59. [8] The winning design was chosen because it had a very distinctive look. Important features which gave it that look were its narrowed neck; its angled and elliptical top; its integrated look, especially the way that the top blended in with the body of the container and its flowing lines. The ergonomic aspects of the design were also important. One of the reasons for the choice of the angled top was that it would signal to consumers the direction of flow of the spray exiting the nozzle. The top of the head of the spray was flared out more in later iterations. This had the advantages both of making the hand grip of the container easier and also provided a flange which helped in preventing the container from slipping through the user's grip. It was also said that the flanged top helped to support the weight of the product, thus avoiding fatiguing the wrist; but since the product is lightweight and not held for prolonged periods, this did not seem to me to be a particularly important feature. The curves of the can and the head merge around the neck giving the product an integrated feel. The narrowed neck, as well as being more aesthetically pleasing, also made the container sit more easily in the hand. However, the fact that the container was not a simple cylinder meant that it would have to be custom made. The container was in fact manufactured from aluminium, rather than the conventional tinplate.
    [9] Overall, the shape of the design had a smooth and dynamic feel, flowing lines, and an elegant sense of movement.

    I have already set out how the Judge records that it was received with acclaim.

  60. Mr Carr submits that this description fairly embodies the essence of the design, its overall impression. If he had applied that as the overall impression he would have found the Air Wick Product to give a different impression.
  61. The first time the Judge refers to the impression created by the Air Wick design was at [20]. He said:
  62. There were few kind words said about the Air Wick design. Ms Nelson said that she would have rejected the design out of hand, because it did not have a "light and airy" feel. Mr Treeby, Reckitt Benckiser's own expert said that it was "a common canister with a plastic cap stuck on top"; and that it was "not in the same league as regards quality".
  63. If that is right (and Mr Carr submits it is), then surely it creates a "different overall impression."
  64. Further, submits Mr Carr, when the Judge came to consider the question of the overall impression he failed to apply his own earlier description. Instead he identified a list of features which were stated at too high a level of generality. The Judge said:
  65. [65] In my judgment the dominant features of the registered design are:
    (i) The angled, elliptical, sloping top culminating in the spray nozzle;
    (ii) The slightly curved trigger protruding from the angled underside of the top, but remaining within the footprint of the base;
    (iii) The recessed "neck" opposite and around the trigger;
    (iv) The sloping shroud intersecting with the body of the canister and, in particular forming a curve at the rear;
    (v) The cylindrical main body.
  66. This, Mr Carr submits, does not capture the overall impression the judge had found at [8-9]. The Air Wick product does not have a "smooth and dynamic feel" or an "elegant sense of movement". Nor does it have "flowing lines". There is no curved canister. The error the judge made was to generalise too much. So for instance, item (iv) was described in [8] in more detail – enough to convey the impression made: "The curves of the can and the head merge around the neck giving the product an integrated feel." Similarly at [8] the Judge referred to the "curves of the canister" but his item (v), said to be a "dominant feature" is just a cylindrical body – which would have seemed wholly unremarkable to an informed (indeed any) user.
  67. So, submits, Mr Carr, it is not right to identify "dominant features" at such a level of generality that the overall impression is not captured.
  68. The Judge at [67] identified differences between the registered design and the Air Wick Product but went on to say at [67]:
  69. However, in my judgment these are relatively insignificant details; and do not detract from the same overall visual impression created by each of the two designs. The similarities between the two are overwhelmingly greater than the differences. I accept that the registered design is of a far greater quality and more integrated than the Air Wick canister; but in my judgment that does not mean that it escapes infringement. If that were so then a poor quality imitation would escape infringement, despite creating the same visual impression.
  70. In saying that "the registered design is of far greater quality and more integrated", Mr Carr submits that the Judge was in fact finding that there was a different overall impression. And that he should have so held.
  71. Mr Carr further submits that the Judge was wrong about item (ii). It is not a dominant feature of the design that the trigger is within the footprint of the base – if you just look at the design pictures that is not a thing that sticks out at all. Moreover being within the footprint is a true technical consideration – if it sticks out there will be problems about packing the canister in a box. So it is an aspect which the informed user would discount when deciding what the overall impression is.
  72. Mr Carr further submitted that that there were real, significant differences between the Air Wick product and the registered design. Most importantly:
  73. i) The Air Wick product has something of a "hammer head". The top "lozenge" has depth. It is shaped something like a Foreign Legionnaire's kepi. You could not say the same about the top of the registered design. As the Austrian court put it:

    The shape of head too is different: while the head of the Febreze sprayer – to draw a comparison from the animal kingdom – is reminiscent of a snake's head, the shape of the Airwick sprayer head is like a lizard's head.

    ii) The registered design has a much thinner, more elegant, "neck". That is indeed so, particularly in the front or back views.

    iii) The registered design top ellipse is significantly larger than that of the Air-Wick product.

    iv) The triggers, given the design constraint that they have to be triggers, could hardly be more different.

    v) The "cape" of the registered design flows elegantly over the curved top of the canister. That of the Air Wick product just sits on the top and is cut off at much the same level as the front. There is no integration.

  74. Moreover, he submitted, there were elements of functionality which the Judge failed to consider:
  75. i) I have already commented on the trigger/footprint point.

    ii) Once you have decided on a trigger mechanism you will need some sort of flaring so that the trigger can be gripped without the product slipping from the hand. Both the design and Air Wick have flared necks which achieve this, although the Air Wick does not do it as well. One should, for functional reasons, concentrate on the detail rather than the existence of the flare. If one does that, the flares are different – that of the Air-Wick product being significantly less marked.

    iii) The direction of the spray nozzle, angled up, is functional – if, as you naturally will, you hold the canister vertically you need the spray to go upwards. The general line needs to be angled up. So the fact of an upwards inclination should be discounted.

  76. As to the Judge's drawing "some comfort" (at [70]) from interlocutory decisions on parallel proceedings in other European countries in favour of P&G, Mr Carr submitted that they were of minor significance. Moreover, the position had changed in that the Austrian court of appeal had reversed the finding of the court below, as I have already recorded.
  77. P&G's Case

  78. Mr Wyand emphasised the purpose of protection as set out in recital 7:
  79. Enhanced protection for industrial design not only promotes the contribution of individual designers to the sum of community excellence in the field, but also encourages innovation and development of new products and investment in their production.

    He submitted that this showed an intention that the scope of protection should be wide. He gets that from the word "enhanced". But I do not read it as referring to the scope of protection at all. It comes after a series of recitals about the patchwork nature of national design protection rules, the problems for free movement that creates and the need for an EU wide system and before a recital about the need for a more accessible design-protection system. It is saying no more than that design protection is desirable for the reasons given. In fact if design protection is too wide, even for a strikingly innovative design, you are likely to discourage innovation and investment. Different designs will be caught or under the threat of being caught. Merely drawing inspiration from prior designs will become dangerous.

  80. Next, and this was Mr Wyand's main point, he drew attention to how different the P&G design was from anything that had gone before. And he was right about that. The attempt to invalidate the design by reference to the prior art to my mind only served to emphasise just how innovative the P&G was. We decided to dismiss the appeal on validity without calling upon Mr Wyand. The Judge dealt with this shortly at [74-77]. He was right to do so. Any attempt to re-state his reasons would be superfluous.
  81. Mr Wyand went on to emphasise how little there was in reality of design restraint by reason of function. The very fact of the large difference between the registered design and anything in the prior art – the "existing design corpus" proved this. If all spray canisters had to have a generally similar appearance, it would not have been possible for the P&G design to be so different from anything that had gone before.
  82. That too is right. A large departure from the prior design corpus is indeed an indication of design freedom. Where a departure is small that may be for two reasons: technical restraint or simply lack of imagination by prior designers. The present design is a case of the latter. Mr Carr's points about design restraint for technical reasons are rather a long way from showing that a trigger operated sprayer must have anything like the general appearance of the P&G design. They are too general. Take for instance the point about the nozzle pointing upwards and being seen to do that. That in no way requires more than that the nozzle does in fact point up and that its housing should in some way indicate that. It need not be elliptical, or square, or any particular shape to do any of that. Similarly his point about the grip – any sort of grip will do. You could even have a shape like a real revolver.
  83. Given all that freedom, Mr Wyand submitted that the scope of protection should be wide – that it should cover what gives a "slightly cheaper, or slightly coarser impression." It followed, he submitted, that the Judge cannot be faulted in his conclusion about same overall impression. And that is all the more so given the principles governing an appeal about that type of decision.
  84. My conclusion

  85. I have come to the conclusion that the Judge did err in principle, essentially for the reasons advanced by Mr Carr, excluding his submissions about functional design restraint. I think the Judge erred in the following ways:
  86. i) In failing to apply the "overall impression" of the registered design he in effect had found at [8-9];

    ii) In failing to apply the overall impression of the accused product he had found (or summarised) at [20];

    iii) In failing, at the point where he was considering infringement, to state what the overall impression of the alleged infringement was;

    iv) In applying by implication a requirement that the accused product should give the informed user a clearly different impression.

    v) In applying a "stick in the mind" test rather than "what would impress now" test.

    vi) In approaching the "dominant features" of the design at too general a level, a level such as not to convey in words the overall impression which would be given to an informed observer.

  87. The Judge was concerned about the possibility that "a poor quality imitation would escape infringement." I am not so concerned. We are here considering monopolies in designs, not trade marks. A "poor quality" imitation if it does not convey the same impression as the "original" will fail on its own design merits, or rather the lack of them. If it conveys the "same impression" then it can hardly be a "poor quality imitation" and will succeed for the same reason as the "original."
  88. Accordingly I am free to form my own view. I think the impression which would be given to the informed user by the Air-Wick product is different from that of the registered design. I say that for the reasons advanced by Mr Carr which I need not repeat here. The Austrian court put it well:
  89. In reality, even though the same features are found in both, there are clear differences between the two sprayers resulting from the different mode of their execution: the Febreze sprayer is smaller, has a slightly larger diameter and so looks more compact. The head of this sprayer is shallower but also broader, so that the Febreze sprayer fits the hand differently than the Airwick sprayer (with the Airwick sprayer, which has the considerably narrower head, there is a feeling that it could slip out of the user's hand). In contrast to the Airwick sprayer, the metal can of the Febreze sprayer tapers upwards, so that the waist begins lower down than in the Airwick sprayer. The "train" goes down much further in the Febreze sprayer, so that the lower boundary of the plastic part echoes the angle of the head part far more markedly than in the Airwick sprayer. The shape of head too is different: while the head of the Febreze sprayer – to draw a comparison from the animal kingdom – is reminiscent of a snake's head, the shape of the Airwick sprayer head is like a lizard's head.
  90. The similarities between the products are at too general a level for one fairly to say that they would produce on the informed user the same overall impression. On the contrary, that user would get a different overall impression.
  91. Accordingly I would allow the appeal on infringement, but dismiss the appeal on validity.
  92. Lord Justice Dyson:

  93. I agree.
  94. Lord Justice May:

  95. I also agree that the appeal on infringement should be allowed, but the appeal on validity should be dismissed for the reasons given by Jacob LJ.
  96. Appendix 1 – the material parts of Reg. 6/2002

    The following are the material parts of the Regulation:

    "Recitals

    (5) This calls for the creation of a Community design which is directly applicable in each Member State, because only in this way will it be possible to obtain, through one application made to the Office for Harmonisation in the Internal Market (Trade Marks and Design) in accordance with a single procedure under one law, one design right for one area encompassing all Member States.
    (10) Technological innovation should not be hampered by granting design protection to features dictated solely by a technical function. It is understood that this does not entail that a design must have an aesthetic quality. Likewise, the interoperability of products of different makes should not be hindered by extending protection to the design of mechanical fittings. Consequently, those features of a design which are excluded from protection for those reasons should not be taken into consideration for the purpose of assessing whether other features of the design fulfil the requirements for protection.
    (14) The assessment as to whether a design has individual character should be based on whether the overall impression produced on an informed user viewing the design clearly differs from that produced on him by the existing design corpus, taking into consideration the nature of the product to which the design is applied or in which it is incorporated, and in particular the industrial sector to which it belongs and the degree of freedom of the designer in developing the design.
    (19) A Community design should not be upheld unless the design is new and unless it also possesses an individual character in comparison with other designs.
    Article 1
    1. A design which complies with the conditions contained in this Regulation is hereinafter referred to as a "Community design".
    2. A design shall be protected:
    (a) by an "unregistered Community design", if made available to the public in the manner provided for in this Regulation;
    (b) by a "registered Community design", if registered in the manner provided for in this Regulation.
    3. A Community design shall have a unitary character. It shall have equal effect throughout the Community. It shall not be registered, transferred or surrendered or be the subject of a decision declaring it invalid, nor shall its use be prohibited, save in respect of the whole Community. This principle and its implications shall apply unless otherwise provided in this Regulation.
    …
    Article 3
    For the purposes of this Regulation:
    (a) "design" means the appearance of the whole or a part of a product resulting from the features of, in particular, the lines, contours, colours, shape, texture and/or materials of the product itself and/or its ornamentation;
    (b) "product" means any industrial or handicraft item, including inter alia parts intended to be assembled into a complex product, packaging, get-up, graphic symbols and typographic typefaces, but excluding computer programs;
    …
    Article 4
    1. A design shall be protected by a Community design to the extent that it is new and has individual character.
    …
    Article 5
    1. A design shall be considered to be new if no identical design has been made available to the public:
    …
    (b) in the case of a registered Community design, before the date of filing of the application for registration of the design for which protection is claimed, or, if priority is claimed, the date of priority.
    2. Designs shall be deemed to be identical if their features differ only in immaterial details.
    Article 6
    1. A design shall be considered to have individual character if the overall impression it produces on the informed user differs from the overall impression produced on such a user by any design which has been made available to the public:
    …
    (b) in the case of a registered Community design, before the date of filing the application for registration or, if a priority is claimed, the date of priority.
    2. In assessing individual character, the degree of freedom of the designer in developing the design shall be taken into consideration.
    Article 7
    1. For the purpose of applying Articles 5 and 6, a design shall be deemed to have been made available to the public if it has been published following registration or otherwise, or exhibited, used in trade or otherwise disclosed, before the date referred to in Articles 5(1)(a) and 6(1)(a) or in Articles 5(1)(b) and 6(1)(b), as the case may be, except where these events could not reasonably have become known in the normal course of business to the circles specialised in the sector concerned, operating within the Community. The design shall not, however, be deemed to have been made available to the public for the sole reason that it has been disclosed to a third person under explicit or implicit conditions of confidentiality.
    …
    Article 8
    1. A Community design shall not subsist in features of appearance of a product which are solely dictated by its technical function.
    …
    Article 10
    1. The scope of the protection conferred by a Community design shall include any design which does not produce on the informed user a different overall impression.
    2. In assessing the scope of protection, the degree of freedom of the designer in developing his design shall be taken into consideration.
    Article 12
    Upon registration by the Office, a design which meets the requirements under Section 1 shall be protected by a registered Community design for a period of five years as from the date of the filing of the application. The right holder may have the term of protection renewed for one or more periods of five years each, up to a total term of 25 years from the date of filing.
    Article 19
    1. A registered Community design shall confer on its holder the exclusive right to use it and to prevent any third party not having his consent from using it. The aforementioned use shall cover, in particular, the making, offering, putting on the market, importing, exporting or using of a product in which the design is incorporated or to which it is applied, or stocking such a product for those purposes.
    Article 24
    1. A registered Community design shall be declared invalid on application to the Office in accordance with the procedure in Titles VI and VII or by a Community design court on the basis of a counterclaim in infringement proceedings.
    …
    Article 25
    1. A Community design may be declared invalid only in the following cases:
    …
    (b) if it does not fulfil the requirements of Articles 4 to 9;
    Article 36
    1. An application for a registered Community design shall contain:
    (a) a request for registration;
    (b) information identifying the applicant;
    (c) a representation of the design suitable for reproduction. However, if the object of the application is a two-dimensional design and the application contains a request for deferment of publication in accordance with Article 50, the representation of the design may be replaced by a specimen.
    2. The application shall further contain an indication of the products in which the design is intended to be incorporated or to which it is intended to be applied.
    3. In addition, the application may contain:
    (a) a description explaining the representation or the specimen;
    …
    (d) the classification of the products in which the design is intended to be incorporated or to which it is intended to be applied according to class;
    …
    6. The information contained in the elements mentioned in paragraph 2 and in paragraph 3(a) and (d) shall not affect the scope of protection of the design as such.

    APPENDIX 2 Air-Wick and the design representations

    Picture 5
    Picture 6

    Picture 7

    Picture 8

    Picture 9
    Appendix 3 Better photos of Air Wick
    Picture 10
    Picture 11
    Picture 12


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